Here’s another update of what I’ve been listening to on Spotify last month. As for book reviews, I’ve been a bit slack the last couple of months, but I am nearing completion of a few, so normal service should resume.
Bethany Dillon – Stop and Listen (Listen on Spotify)
A nice easy listening album, but lacks any stand-out tracks, and is a little short on variety. I prefer her earlier albums Waking Up and Imagination. The opening track Get Up and Walk has a sound reminiscent of Sara Groves. Everyone to know and Reach Out are the best songs on offer here. Rating: |
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Matt Maher – Alive Again (Listen on Spotify) Another singer-songwriter worship leader album, in the mould of Chris Tomlin. Having said that, I’m not sure all of these are positioned as congregational songs, despite his making his name with the popular “Your Grace is Enough”. Interestingly, given that he sounds virtually identical to most contemporary evangelical worship leaders you have heard, Maher is a Roman Catholic, with a passion for unity within the church. I found his lyrics thoughtful and gospel centred. Sing Over Your Children, No Greater Love and Christ is Risen are my picks. Rating: |
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David Crowder Band – Church Music (Listen on Spotify)
David Crowder Band are back with another album full of their quirky dance-infused rock. You certainly get value for money, with 17 tracks running together into a 73 minute epic. Eastern Hymn and The Veil continue in the same vein as their Remedy album. They cover "Oh how He Loves", which seems to feature on everyone’s album at the moment. I was a little disappointed that there seemed to be few that would be useful in corporate worship, but nevertheless it is another solid album from them. Rating: |
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Derek Webb – Stockholm Syndrome (Listen on Spotify)
This one gained notoriety for the use of a naughty word in one of the songs (although the song in question isn’t even featured on this version of the album). Derek Webb seeks to be a prophetic voice to the church, and pulls no punches. Think emerging church and you’ll have an idea where he’s coming from. Musically it is interesting and varied (not sure what genre it falls into – techno?). Lyrically, he succeeds in being provocative and challenging in an enigmatic sort of way. A dose of the gospel of grace might help a bit if he is to connect with his target audience, unless its not evangelicals but fundamentalists he’s aiming at. In which case I would say that "Freddie" Phelps was never going to buy this album anyway. Rating: |